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  • Porto Alegre em Cena | INGRESSOS

    TICKETS 2021 all programming is free! CLICK HERE TO GET YOUR TICKETS* >> *except Fantasmagoria nº2 > click here ​ ​ ​ >> PLAYS' TICKETS: FROM 10/13 at 1:00 pm FREE AND LIMITED TICKETS Fantasmagoria nº 2 - Theatro São Pedro > CLICK HERE Metaverse: we are at the end of something > CLICK HERE Infinitos > CLICK HERE Altamira 2042 > CLICK HERE How Things Got Here > CLICK HERE ​ >> REQUIRED: COVID VACCINE VERIFICATION CARD in order to attend all the physical events: ​ In compliance with municipal decree 21.193, from October 3, 2021, and according to the CEVS/SES Technical Report No. 16/2021, as the new new sanitary protocols and, it is mandatory to present the Official Vaccination Card Certificate (CONECTE SUS) at the entrance of theaters during Porto Alegre em Cena (October 19th to 31st), according to the State vaccination schedule for first and second doses: ​ • People aged 40 or over must present proof of a complete vaccination schedule; • People aged 18 to 39 years must provide proof of the first dose or single dose. >> TICKETS PICKUP: ​ You will receive your tickets and all accessing instructions by e-mail. It is important to check your email for possible uptades. ​ >> IMPORTANT: ​ For the events held by the Zoom platform, it is required to have the app installed on your device. ​ >> MORE INFORMATION: ​ Email to ingressosemcena@gmail.com ​ ​ ​ ​

  • memória 2021 | portoalegreemcena

    history Programação: Guia Afetivo da cidade – affectionate city guide Click to download (in portuguese) Rediscovering Porto Alegre I feel infinite pain From the streets of Porto Alegre Where I will never go…... Workshops 2021 – Selected Check out those selected for the workshops on the schedule of the 28th Porto Alegre em Cena: Intervenções urbanas corpo e cidade - Urban... Václav Pacl 10/20 at 19:30 pm Theatro São Pedro Praça Marechal Deodoro, s/n° - Centro Histórico Tickets will be distributed from 10/18 onwards, by... Televisões: o jogo das velhas (Televisions: The Tic Tac Toe) 10/25 – 6pm Porto Alegre em Cena Youtube Using the life stories of his four grandmothers as a starting point, the author creates a... Evaporar – os dias que soam no escuro (Evaporate - the days that sound in the dark) 10/27 – 6pm Porto Alegre em Cena Youtube The scene - the result of theoretical-practical research in theater for the graduation course:... Obediência (Obedience) 10/28 – 6:50pm Porto Alegre em Cena Youtube A game of power and desire. Two figures: one that dominates – power (male) – and the... Enófila analisa: mijê de gatê (Enófila analyzes: mijê de gatê) 10/26 – 6:40pm Porto Alegre em Cena Youtube The clown Enólifa Polenta is a wine specialist sommelier. In this small issue, she analyzes... Eu preciso da sua presença (I need your presence) 10/29 – 6pm Porto Alegre em Cena Youtube “I need your presence” is a scenic-documentary experiment about the efforts, desires and fears... Sobre mãe e filha (about mother and daughter) 10/22 – 6pm Porto Alegre em Cena Youtube The insistence of a mother who, daily, demands from her daughter the origin of a world, the... Meu canto é de ninguém (My singing is nobody’s) 10/20 – 6pm Porto Alegre em Cena Channel on Youtube An epiphany that can be captured for a moment, inspired by Clarice Lispector, in... Isso é um começo (this is a start) 10/21 – 6:16pm Porto Alegre em Cena Youtube Start. To start. Have to start. The beginning is a strange place, it is an undefined place,... 28th Porto Alegre em Cena opens registration for local shows Divided into two categories, urban and digital performances, the selection of local shows is open from July 5th to 25th. Check the... Registration for national and international shows Applications for national* and international shows to be part of the Porto Alegre em Cena program schedule can be submitted, according to... SELECTED LOCAL PERFORMANCES (photo: Juliana Alabarse) The 28th Porto Alegre em Cena, which will take place from October 19th to 31st, both online and in person,... Collaborate with the creation of the Colombian show Infinitos Some people discovered the value of silence, others missed hugs and kisses, others didn't need the noise of the city. Some imagine the... Nhe ´ery – Existe uma cidade sobre nós e Jardim Guarani (There's a city above us and Guarani Garden) Nhe ´ery – Existe uma cidade sobre nós e Jardim Guarani (Nhe ´ery – There is a city above us and Guarani Garden), by Xadalu Tupã Jekupé... Voluntários da Pátria (Homeland Volunteers) Homeland Volunteers – urban performance by the Teatro Inventário group – RS 10/25 - 6pm Quadrangle between Voluntários da Pátria Av,... Respira não pira (breathe don't freak out) Breathe don't freak out - urban performance by the NIC Mulheres Palhaças group - RS 10/24 – 2 pm Esplanada da Restinga and pedestrian... Kuumba Kuumba – urban performance by Mayura Matos – RS 10/28 - 12pm Portões do Cais Start at Sepúlveda Av. and Alfândega Square 10/31 - 4 pm... Bando (Flock) Flock – urban performance by the Mascara EnCena group – RS 10/30 - 4 pm Germania Park Túlio de Rose Avenue - Passo d'Areia 10/31 - 11am... Anatomia temporária (temporary anatomy) Temporary Anatomy – urban performance by Projeto Epiceno – RS 10/20 and 10/21, 6:30 pm Otávio Rocha Viaduct Staircase Borges de Medeiros... A última negra (The last black woman) A Última Negra – digital spectacle of the Gompa Project - RS 10/25, 8pm YouTube Poa em Cena What would you do if you woke up being the... Co ês Co Ês – digital show by Rui Moreira Cia de Danças - RS 10/27, 8PM YouTube Poa em Cena Co Ês (with them) is a storytelling through... Quase Corpos: Um Estudo do Teatro de Beckett – Episódio 1 – A Última Gravação (Almost Bodies... Almost Bodies: A Study of Beckett's Theater - Episode 1 - The Last Tape – digital show by the Tribo de Atuadores Ói Nóis Aqui Traveiz -... Voz para Cumaná – um dia de fúria (Voice for Cumana – a day of fury) 10/25 – 6:24pm Porto Alegre em Cena Youtube This is an echo. An extension of an in-process dramaturgy created from many voices.... Utopianism Sparkle 10/21 – 6pm Porto Alegre em Cena Youtube In a dystopian future where the sensuality of the female figure is punished by society, seven... Usuário não encontrado (User not found) 10/22 – 6:14pm Live Youtube/Zoom/WhatsApp Click here to purchase tickets >> A group of friends, shaken by the disappearance of one of... Será que fica pronto a tempo? (Will it be ready in time?) 10/26 – 6pm Porto Alegre em Cena Youtube “In a residence, we prepare a future that will nourish us at night. Yeast and action. Will it be... Sr. Esquisito (Sr. Weird) Mr. Weird – digital show by Coletivo Esquisites - RS 10/26, 8pm YouTube Poa em Cena Mr. Weird is a play about being normal and not being... Oito (Eight) 10/28 – 6pm Porto Alegre em Cena Youtube Everything is a matter of time, but this is known for long. Still, do we understand its... Luna 10/20 – 6:22pm Porto Alegre em Cena Channel on Youtube A woman feeling out of place from the world around her isolates herself looking... Dia de ira (day of wrath) 10/29 – 6:36pm Porto Alegre em Cena Youtube It's the end of the World. After the Final Judgment, all the dead were saved or condemned.... Dentro do dentro (inside of inside) 10/27 – 6:22pm Live Zoom Click here to purchase tickets >> INSIDE THE INSIDE - Naked scene to talk about affections, affected people and... De La Mancha: O Cavaleiro Trapalhão (The Bumble Knight) De La Mancha: O Cavaleiro Trapalhão – a digital show by the Rococó Artistic and Cultural Productions group – RS 10/28, 8pm YouTube Poa em... Fantasmagoria nº2 Fantasmagoria nº2 - Theatro São Pedro - by Felipe Hirsch and Coletivo Ultralíricos - SP/RS 10/29 and 10/30 at 9pm and 10/31 at 6pm... Entidades Entidades – Large installation by Roraima artist Jaider Esbell - RR 10/19 to 10/31 Espelho D'água at Parque da Redenção The work... Camaleões Camaleões - by Luciana Lara, AntiStatus Quo Cia. de Dança - Brasília / DF 10/27, at 6pm Alfandega Square One of the most important dance... Altamira 2042 Altamira 2042 - RJ/SP 10/25 to 10/28 - 8pm Carlos Carvalho Theater / CCMQ Andradas Street, 736 – Historic District Click here to purchase... Metaverse: we are at the end of something Metaverse: we are at the end of something - video installation by Keiken – UK 10/21 to 10/27, at 5pm, 6pm and 7pm Fábrica do Futuro /... Infinitos Infinitos - by Carmen Gil, Cia. La Quinta del Lobo in artistic residency with artists from Rio Grande do Sul Sandra and Miriã Possani -... She and the pigs She and the pigs - by Ignacia González - Chile 10/20 to 10/22 at 8pm Porto Alegre em Cena channel on YouTube “Ella y los cerdos” is a... How things got here How things got here – by Iván Haidar – Argentina 10/28 to 10/30, 6pm and 9pm Galeria La Photo Travessa da Paz, 44 - Farroupilha Click... Weapon is a part of my body Weapon is a part of my body – digital performance – Brazil/Israel/England 10/24 and 10/31, at 11 am in the schedule of the Meeting Point... Real Time Composition 10/25 to 10/27 – 10am to 1:30pm Studio Stravaganza – In person Doutor Olinto de Oliveira St, 64 - Santana Target Audience: Workshop for... Knowing Video mapping CLICK HERE FOR REGISTRATION 10/20 – 6pm to 8:30pm Online by Zoom 1. Overview of architectural projections, objects and scenarios: Who are... Circus 10/23 – 2pm to 6pm Areal da Baronesa – in person Target audience: people from the community Circus Workshop, with Luciano Fernandes,... The body as sound memory 10/28 and 10/29 - 10 am to 12 pm Location: Zoom Limit: 15 people Required Documents for Application: Expression of Interest Letter and... Urban interventions Body and City 10/21 – 2pm to 5pm Zoom – online Limit: 20 people Required Documents for Application: Expression of Interest Letter and Summary Resume... Episode 8: Where's the story? Synopsis: Which ending is possible when dramaturgy is non-existent? In the absence of history, the manifest appears. Text: Jaques Machado... Episode 7: Harm Reduction Synopsis: One night, a glass of wine that may have turned into a bottle, a breeze and… better not send this message Text: Andrea... 15º Prêmio Braskem em Cena: o festival O Porto Alegre em Cena é um dos mais importantes festivais de artes cênicas da América Latina que, em seus 28 anos de atividades ininterruptas, trouxe os mais importantes artistas e grupos das artes cênicas do Brasil e do mundo para Porto Alegre. Com sua programação de altíssimo nível, o Festival colocou a cidade no mapa de circulação de grandes espetáculos de artistas, como Antunes Filho, Christiane Jatahy, Zé Celso Martinez Corrêa, Fernanda Montenegro, Marco Nanini, Felipe Hirsch, Tom Zé, Debora Colker, Paulo Autran, Denise Fraga, Georgette Fadel, Matheus Nachtergaele, Marieta Severo, Adriana Calcanhotto, Andrea Beltrão, Drica Moraes, Renata Sorrah, Marcio Abreu, Tulipa Ruiz, Antonio Araújo, Zélia Duncan, Grace Passô (nacionais); e Ariane Mnouchkine, Peter Brook, Pina Bausch, Mats Ek, Bob Wilson, Sasha Waltz, Meredith Monk, Angelica Liddell, Eimutas Nekrosius, Sankai Juku (internacionais); além de muitos outros artistas. A programação nacional e internacional é construída a partir de pesquisas da direção artística do festival junto a programadores, produtores e artistas de todas as partes, além da nossa equipe. Os espetáculos da cidade ganham destaque na programação. Uma comissão de curadores composta por profissionais do Sindicato dos Artistas e Técnicos em Espetáculos de Diversões do RS (SATED/RS), coordenadores de cursos do Departamento de Arte Dramática da UFRGS, coordenação de teatro da UERGS e profissionais convidados pelo festival assiste aos espetáculos inscritos e se reúne para discutir sobre o teatro local e decidir dez obras que farão parte da grade. Além da mostra de espetáculos, o Porto Alegre Em Cena também dá forte ênfase às atividades formativas, como debates, residências, aulas e oficinas. A ideia é oferecer protagonismo às discussões e debates, transcendendo, inclusive, os temas das peças para criar espaços de discussões que vão além da estética e invadem o social. palavra do diretor geral 2021 A primavera nos dentes. ​ A grande equação pra mim nesse momento era como encontrar as flores no meio desse caminho suntuoso que foi se formando ao longo desse ano de 2021. Com os reflexos da pandemia mais evidentes, uma crise sanitária ainda mais acirrada andando em paralelo com o processo de vacinação e uma ideia de esperança renovada, pra que a vida possa ser vivida com alegria. Então vieram os sorrisos de uma vida com encontros, com o retorno das atividades profissionais, aquilo que era dito essencial foi retornando muitas vezes de maneira desordenada… mas e a arte? E o essencial da arte? E a criação da beleza que se faz ainda mais urgente nesses tempos de uma violência cotidiana escrachada? ​ Ora pois, se a arte é um sujeito de conhecimento através da estética e com ética, é bastante clara a importância da existência e realização de um festival que reúne em um espaço de tempo uma pluralidade de pensamentos e produz diversas formas de beleza. Se a violência é inerente a condição humana, então que seja através da arte que a gente tome contato com ela. Do contrário, estaremos perdidos. Dancemos, dancemos… ​ Com essa gana de continuar dançando é que enfrentamos todas as dificuldades da pandemia - os medos, das mudanças na sociedade, as crises que nos impediram de, pela primeira vez, não ter a correalização da Secretaria Especial da Cultura do Ministério do Turismo através da Lei Rouanet - e muito orgulhosamente colocamos mais uma vez uma bela e potente programação na rua, reunindo mais de 25 atrações nacionais e internacionais entre espetáculos, performances, instalações, exposições, falas, oficinas, conversas… ​ Partimos da ideia de criar uma programação de performances urbanas devido ao sucesso das realizadas no ano passado. Nessa busca de entregar algo instigante e que interferisse no cenário urbano da cidade me encontrei com o artista Xadalu que me emocionou ao dividir comigo o trabalho que estava desenvolvendo, chamado Existe uma cidade sobre nós. Uma obra que resgata o conhecimento ancestral Guarani sobre esse território sagrado onde se construiu a cidade de Porto Alegre. A partir dessa obra e dessa história contada pelo Cacique Cirilo no dia de abertura do Festival no Theatro São Pedro, é que comecei a pensar toda programação do festival. Passou a se tratar disso: não bastava intervir na cidade de Porto Alegre, era preciso sobrepor a ela outros conhecimentos, outras histórias que foram marginalizadas pelo processo colonial. Pois esta obra que hoje está finalizada e exposta no Rio de Janeiro será colada pelos muros da cidade, como é de praxe no trabalho do artista, e outra, inédita, chamada Jardim Guarani, está em criação e será exposta no foyer nobre do Theatro São Pedro junto à fala do Cacique. ​ Começamos a montar uma programação com obras como Camaleões de Brasília, Esquadros capitaneado em Porto Alegre pelo projeto Projetores pela Cultura e com artista de videoarte de todo Brasil, Entidades de Jaider Esbell de Roraima e mais cinco espetáculos de Porto Alegre: Anatomia Temporária, Voluntários da Pátria, Respira Não Pira, Kuumba e Bando. ​ Com isso quisemos também provocar o retorno dos encontros do público com as artes vivas, com a imersão, a experiência e a reabertura de espaços cuturais e o retorno do público às salas de espetáculo. Com o apoio do projeto Iberescena montamos uma linda programação sulamericana com Como as coisas chegaram aqui? do artista multimídia Ivan Haidar (Argentina); Infinitos, da Colômbia, de Carmen Gil que irá criar uma nova versão da obra a partir de uma residência artística com as atrizes Sandra e Miriã Possani, mãe e filha que se encontram pela primeira vez no palco nesse trabalho e Ela e os porcos da Ignácia Gonzáles, do Chile. ​ Em meio ao campo de batalhas de criação dessa programação, definindo programação, orçamento, aprovações e não aprovações dos projetos de incentivo a cultura, conseguimos confirmar novas parcerias através do financiamento do PRO-CULTURA RS e enriquecer a programação com alguns trabalhos da maior importância para o teatro brasileiro como Altamira 2042 da maravilhosa Gabriela Carneiro da Cunha que nos guia por relatos do rio Xingu e Fantasmagoria nº 2 com direção do Felipe Hirsch e seu coletivo Ultralíricos, agregando também um elenco local. ​ E, como o processo criativo é feito de pequenos milagres, um dos espetáculos que já tinha saído da programação pelos altos custos técnicos, a videoinstalação Metaverse: estamos no fim de algo voltou graças ao feliz encontro do festival com a Fábrica do Futuro, um complexo multidisciplinar, que acolheu o evento e nossa programação híbrida com transmissão ao vivo e os encontros da equipe. Para a nossa surpresa, o espaço tem uma sala de projeções perfeitamente equipada para receber esse trabalho deslumbrante que coloca o público literalmente dentro de uma realidade paralela digital. ​ Esse ano, com muita alegria, também retomamos o projeto de descentralização junto a programação oficial do festival. Grupos locais e nacionais irão se apresentar nas regiões de periferia da cidade e democratizar mais ainda a programação. Por falar nisso, esse ano, excepcionalmente, vamos fazer uma programação inteiramente gratuita justamente para estimular o retorno do público ao teatro. Tudo, é claro, com todo cuidado, respeitando ao máximo todos os protocolos sanitários e cuidando de todos detalhes para que equipes, artistas e público possam desfrutar dos espetáculos com segurança. ​ E é em meio a esse cenário maluco em que todos setores da cultura estão atingidos diretamente e buscando se reestruturar e retornar aos encontros que colocamos esse festival na rua, pra encher nossa cidade de beleza e conhecimento em mais uma primavera. E é assim, com uma alegria proporcional aos desafios que veremos o artista brasileiro, entre os dentes, segurar a primavera. ​ Fernando Zugno Equipe 28º Porto Alegre em Cena 2021: Direção geral e curadoria: Fernando Zugno Coordenação de produção: Laura Leão Coordenação de programação: Duda Cardoso Coordenação de descentralização: Adriane Azevedo Coordenação cenotécnica: Yara Balboni Coordenação técnica: Maurício Moura Logística: Thaís Gombieski Assessoria de imprensa: Agência Cigana – Cátia Tedesco e Mauren Favero Projeto gráfico e site: Dídi Jucá Obras de arte do projeto gráfico: Antônio Augusto Bueno Fotos das obras de arte do projeto gráfico: Juliana Alabarse Gestão de conteúdo e apresentação Ponto de Encontro: Bruna Paulin Redes sociais: Clara Corleone Vídeos: Lui Felippe Bilheteria: Ziza Ferreira Coordenação administrativa: Daniela Ramirez Gerenciamento de projeto: Leticia Vieira Tradução e interpretação para LIBRAS - GETTLibras – Ângelo Collioni / Sandro Fonseca/ Vanize Flores / Vinicius Martins Estagiário : Guilherme Mallmann Cibulski Curadoria Programação Local Luciana Eboli / Henrique Saidel / Yara Deodoro / Raquel Kubeo / Luciano Fernandes / Tatiana Cardoso / Diego Ferreira Assistentes de produção: Clara Santos / Ricardo Neme Produtores de Palco: Arthur Mendes / Arthur Serpa / Eduardo Custódio / Eduardo Kramer/ Juliana Katz / Luciana Leão Cenotécnicos: Rudinei Morales / Sergio Dorneles Técnicos: Alex / Alexandre Saraiva / André Hanauer / Anilton Souza / Carlos Azevedo / Clauber Scholles / Daniel Fetter / Eduardo Kraemer / Felipe Zancanaro / João Fraga Ciclistas BiciBanners: Amaranto Manatit / Lauro Fagundes / Mani Torres / Renê Loreno / Thais Andrade Apoio Bilheteria: Mishta / Bruno Silva Motoristas: Roger Bruck / Luis Alberto de Oliveira ​ ​

  • Porto Alegre em Cena | PARCEIROS

    partners restaurants >>

  • Porto Alegre em Cena | PODCAST CRÔNICAS DO AMANHÃ

    chronicles of tomorrow 2021 schedule subject to change

  • Porto Alegre em Cena | CONTATO

    contact Sua mensagem foi enviada com sucesso! Enviar ​ Porto Alegre / RS / Brazil Phone/WhatsApp: +55 51 99846-6457 Email: portoalegreemcenafestival@gmail.com ​ Follow @poaemcena on Instagram Like our page on facebook Subscribe to our Youtube Channel ​

  • Porto Alegre em Cena | PROJETO CAIXA CÊNICA

    2021 project caixa cênica schedule subject to change The Caixa Cênica project aims to provide technical training in the field of performing arts for professionals who are part of support teams and also for the public interested in learning more about the various areas of the festival. In 2017, the project had its first edition aimed at professionals involved in the assembly of the shows, such as porters and stagehands, who had already worked for years in these areas of the festival, and reported feeling the need for qualification to perform more complex functions, a lack that the event itself sought to supply. In 2019, the project was expanded to cover other areas of scenic production, and can be used by anyone interested in learning more about cultural events. In 2021, the project takes place online, as it was in 2020, with the following modules: ​ Programming and Curatorship Cultural production Scenography Culture with Accessibility - Brazilian sign language

  • Porto Alegre em Cena | Equipe

    The Festival The team Festival Memory Texto Direção Artística words of the general director 2021 ​ spring in the teeth (after a song of the Brazilian band Secos & Molhados) ​ Fernando Zugno The big equation for me at this time was how to find the flowers in the middle of this sumptuous path that was formed throughout the year of 2021. With the consequences of the pandemic more evident, an even more severe health crisis going hand in hand with the vaccination process and an idea of ​​renewed hope, so that life could be lived with joy. Then came the smiles of a life with encounters, with the return of professional activities - that ones that were meant as essential - many times in a dysfunctional way… but what about art? And the essentials of art? And the creation of beauty that becomes even more urgent in these times of savage everyday violence? So, if art is a subject of knowledge through aesthetics with ethics, it is quite clear the importance of the existence and realization of a festival that brings together in a space of time a plurality of thoughts and produces various forms of beauty. If violence is inherent to the human condition, then let it be through art that we get in touch with it. Otherwise we are lost. So dance, dance… With the desire to keep on dancing, we faced all the difficulties of the pandemic - the fears, the changes in society, the crises that prevented us, for the first time, to not have the cooperation of the Special Secretariat for Culture of the Ministry of Tourism through the Law Rouanet - and very proudly we once again put a beautiful and powerful program on the street, bringing together more than 25 national and international works, including shows, performances, installations, exhibitions, speeches, workshops, conversations… We started from the idea of ​​creating a schedule of urban performances due to the success of those performed last year. In this quest to deliver something exciting and that would interfere with the city's urban scene, I met the artist Xadalu, who moved me when he shared with me the work he was developing, called There is a city above us. A work that rescues the Guarani ancestral knowledge about this sacred territory where the city of Porto Alegre was built. Based on this work and this story told by Cacique Cirilo on the opening day of the Festival at Theatro São Pedro, I started to think about the entire festival program. It turned out to be that: it was not enough to interfere in the city of Porto Alegre, it was necessary to overlay other knowledge, other stories that were marginalized by the colonial process. Because this work, which is now finished and exhibited in Rio de Janeiro, will be placed on the city walls, as is customary in the artist's work. And another work still unpublished called Guarani Garden, is being created and will be exhibited in the noble foyer of Theatro São Pedro along with the speech of the Cacique Cirilo. We started to put together a program with works such as Camaleões from Brasília, Esquadros captained in Porto Alegre by the project Projetores pela Cultura and with video artists from all over Brazil, Entities by Jaider Esbell from Roraima and five more shows from Porto Alegre: Anatomia Temporária, Voluntários da Pátria, Respira Não Pira, Kuumba and Bando. With this, we also wanted to provoke the return of the public's encounters with the living arts, with immersion, experience and the reopening of cultural spaces and the return of the public to the theaters. With the support of the Iberescena project, we created a beautiful South American program with How did things get here? by multimedia artist Ivan Haidar (Argentina); Infinitos, from Colombia, by Carmen Gil, who will create a new version of the work from an artistic residency with the local actresses Sandra and Miriã Possani, mother and daughter who will meet for the first time on stage in this work and She and the pigs of Ignacia Gonzales from Chile. With the feeling of living in a sort of battlefield to create this artistic program, defining the schedule, budget, approvals and non-approvals of culture projects, we were able to confirm new partnerships through the funding of PRO-CULTURA RS and enrich the program with some works of greatest importance for Brazilian theater such as Altamira 2042 by the wonderful Gabriela Carneiro da Cunha who guides us through reports of the Xingu River and Fantasmagoria nº 2 directed by Felipe Hirsch and his collective Ultralíricos, also adding a local cast. And, as the creative process is made up of small miracles, one of the shows that had already left the program due to the high technical costs, the video installation Metaverse: we are at the end of something has returned thanks to the partnership of the festival with Fábrica do Futuro, a multidisciplinary space in Porto Alegre, that is hosting the meetings of the festival team and our hybrid program that will be live broadcasted. To our surprise, the space has a projection room perfectly equipped to receive this stunning work that literally places the audience inside a parallel digital reality. This year, with great joy, we also resumed the decentralization project along with the festival's official program. Local and national groups will perform in the suburbs of the city and further democratize the program. By the way, this year, exceptionally, we are going to make a completely free program precisely to encourage the return of the audience to the theater. Everything, of course, with great care, respecting with great deal all sanitary protocols and taking care of every detail so that crews, artists and the audience can enjoy the shows safely. And it is in the midst of this crazy scenario in which all sectors of culture are directly affected and seeking to restructure itself and return to personal encounters that we make this festival happen. To fill our city with beauty and knowledge in one more spring. And it is like this, with a joy as big as the challenges, that we will see the Brazilian artists, in the teeth, grab the spring. ​ ​

  • Porto Alegre em Cena 29ª Edição | PODCAST

    2021 international program schedule subject to change Guia Afetivo da cidade – affectionate city guide Click to download (in portuguese) Rediscovering Porto Alegre I feel infinite pain From the streets of Porto Alegre Where I will never go…... Workshops 2021 – Selected Check out those selected for the workshops on the schedule of the 28th Porto Alegre em Cena: Intervenções urbanas corpo e cidade - Urban... Václav Pacl 10/20 at 19:30 pm Theatro São Pedro Praça Marechal Deodoro, s/n° - Centro Histórico Tickets will be distributed from 10/18 onwards, by... Televisões: o jogo das velhas (Televisions: The Tic Tac Toe) 10/25 – 6pm Porto Alegre em Cena Youtube Using the life stories of his four grandmothers as a starting point, the author creates a... Evaporar – os dias que soam no escuro (Evaporate - the days that sound in the dark) 10/27 – 6pm Porto Alegre em Cena Youtube The scene - the result of theoretical-practical research in theater for the graduation course:... Obediência (Obedience) 10/28 – 6:50pm Porto Alegre em Cena Youtube A game of power and desire. Two figures: one that dominates – power (male) – and the... Enófila analisa: mijê de gatê (Enófila analyzes: mijê de gatê) 10/26 – 6:40pm Porto Alegre em Cena Youtube The clown Enólifa Polenta is a wine specialist sommelier. In this small issue, she analyzes... Eu preciso da sua presença (I need your presence) 10/29 – 6pm Porto Alegre em Cena Youtube “I need your presence” is a scenic-documentary experiment about the efforts, desires and fears... Sobre mãe e filha (about mother and daughter) 10/22 – 6pm Porto Alegre em Cena Youtube The insistence of a mother who, daily, demands from her daughter the origin of a world, the... Meu canto é de ninguém (My singing is nobody’s) 10/20 – 6pm Porto Alegre em Cena Channel on Youtube An epiphany that can be captured for a moment, inspired by Clarice Lispector, in... Isso é um começo (this is a start) 10/21 – 6:16pm Porto Alegre em Cena Youtube Start. To start. Have to start. The beginning is a strange place, it is an undefined place,... 28th Porto Alegre em Cena opens registration for local shows Divided into two categories, urban and digital performances, the selection of local shows is open from July 5th to 25th. Check the... Registration for national and international shows Applications for national* and international shows to be part of the Porto Alegre em Cena program schedule can be submitted, according to... SELECTED LOCAL PERFORMANCES (photo: Juliana Alabarse) The 28th Porto Alegre em Cena, which will take place from October 19th to 31st, both online and in person,... Collaborate with the creation of the Colombian show Infinitos Some people discovered the value of silence, others missed hugs and kisses, others didn't need the noise of the city. Some imagine the... Nhe ´ery – Existe uma cidade sobre nós e Jardim Guarani (There's a city above us and Guarani Garden) Nhe ´ery – Existe uma cidade sobre nós e Jardim Guarani (Nhe ´ery – There is a city above us and Guarani Garden), by Xadalu Tupã Jekupé...

  • INCLUSÃO EM CENA

    The theater festival for children, Inclusion on Stage, believes in Culture as a form of education. Theater is an excellent catalyst for imagination, combining an enormous capacity to transmit values and educate, while having fun. In 2020, the festival reaches its 5th edition and takes place from 16th to 26th November, with workshops and storytelling, all 100% online. Storytelling will be translated and interpreted into Brazilian Sign Language (LIBRAS) and all activities are free! ​ ​ STORIES TELLING: CREATURES OF LITERATURE Literature Creatures is a contemporary shadow theater show, by Cia Teatro Lumbra, for all ages, inspired by classic stories from universal literature. Each story is an invitation to imagine, transposing into the fantastic world of reading. The adaptation of the book The Little Prince, by Antoine de Saint-Exupéry, is centered on the poetic journey of this enigmatic boy through different planets, where he meets characters and life's secrets. Datasheet Script, dramaturgy, set design, lighting, acting, direction and production: Alexandre Fávero / Script, acting, direction assistance, scenography and production: Themis Nicolaidis / Script, production, direction assistance and stage technique: Fabiana Bigarella / Original soundtrack: Gustavo Finkler / Costumes for the shades: Daniel Lion / Creation and design of scene objects:Alexandre Fávero / Cenotechnics and realization: Lumbra Theater Company / Production: shadow club THE SILVA FAMILY Freely inspired by the tale Lolo Barnabas by Eva Furnari This is a story of the Silva family, a family of Brazilians and Brazilians who lived many, many years ago, in the time of the caves... Braco, Lucy and little Finfo were a very intelligent and creative family, capable of solving most of the challenges, but in the search for comfort and better conditions to live, something went wrong... Can you understand what happened? ​ Datasheet Adaptation and performance: Guilherme Ferrêra / Photograph: Maciel Goelzer WORKSHOP: Inclusion on Stage is a project that is renewed every year and, in 2020, the proposed workshop is 100% online. As is tradition, all programming is completely free and aimed at students from the municipal primary education network. The idea, this year, is to encourage the creation of performance actions, even in an online environment, due to the conditions of social distance, delivering tools and guiding the development and production of each participant. The course has a team of renowned professionals and teachers of the performing arts who, in addition to transmitting theoretical knowledge – such as aesthetic and language concepts, for example – will also analyze and experience these concepts in practice, together with students. After that, then, the workshop culminates in the third moment, which is totally practical and consists of the production of performance videos by the students, under the individual mentoring of the teachers. In this way, 4 videos will be created, one from each school. Check out the details! ​ TEACHERS: Bathista Freire is an illuminator and acts in the puppet theater with A Caixa do Elefante; he has been accompanying the show Tangos & Tragédias for 12 years, as a light operator and is also an illuminator at Rádio Esmeralda. Developed technical project for the theater at Escola Mauá de Santa Cruz, Instituto Ling and Teatro Therezinha Petry Cardona – Fundarte de Montenegro. Janaina Pelizzon , an award-winning actress on the stages of Rio Grande do Sul, has been working for 24 years. He sought academic training at the Faculty of Performing Arts at UFRGS, in street theater, children's theater and performance. Researcher of her own art, post-dramatic and experimental adult theater, works at Cia Stravaganza as a workshop, actress and producer. In Porto Alegre, he acts in cinema, short films and advertising commercials. He is developing projects in the area of Urban Intervention as a means of communication between the artist and his city, thus seeking a plurality of being an “actor”. Rita Spier is a Theater Graduate student at UFRGS, is an actress, doll maker, seamstress, costume designer and set designer. In recent years, he has been developing his work autonomously and, as a result, he ended up working and partnering with several artists from both Rio Grande do Sul and Rio de Janeiro, where he also took part in academic mobility at UNIRIO. Integrates the group of teachers and teachers of Performa Restinga. Thiago Pirajira is an actor, performer, director, producer and theater teacher. Bachelor of Theater, Master in Education and Ph.D. candidate in Performing Arts (UFRGS). He is artistic director of the Pretagô group, actor and producer of the Usina do Trabalho do Ator group, and one of the founding artists of the Carnaval collective Bloco da Laje. Vika Schabbach is an actress, producer, teacher and playwright. Graduated in Theater Interpretation and Degree in Theater. Master and doctoral student in performing arts. CONTENTS: ​ > Course aimed at the study, analysis and creation of scenic performances in isolated conditions; > Provide the group with the opportunity to know and experience the language of performance and, through it, have contact with the different areas that involve the practice and that relate to visual aspects (set, costumes, objects, lighting), scenic (acting, direction, dramaturgy) and management (production) of this artistic activity; > Put the student in contact with the specifics of theatrical-performatics language; > Present the constituent elements of performance and the phenomenology of aesthetic experience; > Study and experiment with possibilities, processes and techniques of performance creation and assembly; > Discuss the dramaturgy of performance from the dramatic text or experimentations where the focus is on dramaturgical structuring; > Approach lighting from the possibilities that space, context and basic materials offer; > Thinking about the basic principles to develop the creation and conception of set design and costumes for video performance; > Thinking about what the production of a performance video is; > Approaching performance within the contemporary artistic panorama: possibilities for insertion and sustainability. DATASHEET: General Coordination: FERNANDO ZUGNO Production Coordination: LAURA LEÃO Programming Coordination: DUDA CARDOSO Administrative Coordination: DANIELA RAMIREZ Decentralization Coordination: ADRIANE AZEVEDO Production: THAÍS GOMBIESKI Teachers: BATHISTA FREIRE, JANAÍNA PELIZZON, RITA SPIER, THIAGO PIRAJIRA and VIKA SCHABBACH Workshop videos: THIAGO LAZERI Press Office: GYPSY AGENCY • CÁTIA TEDESCO Graphic Project: DÍDI JUCÁ Promotion videos: EROICA content • CAIO AMON Social Networks: STEPHANIE EVALDT Translation and Interpretation for LIBRAS: GETTLibras • ANGELO COLLIONI, VANIZE FLORES and VINÍCIUS MARTINS

  • Porto Alegre em Cena | PROGRAMAÇÃO INTERNACIONAL

    2021 international program schedule subject to change Václav Pacl Metaverse: we are at the end of something Infinitos She and the pigs How things got here Weapon is a part of my body